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Here are all the paintings of Moritz von Schwind 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 22802 |
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A Hermit Leading Horses to the Trough (mk22) |
c 1845
Oil on wood panel,46.7 x 38.5 cm
Munich,Bayerische Staatsgemaldesammlungen,Schack-Galerie |
| 43999 |
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A Player with a Hermit |
c. 1846
Oil on cardboard, 61 x 46 cn |
| 43874 |
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A Symphony |
1852
Oil on canvas,
169 x 100 cm |
| 44006 |
 |
Early Morning |
1858
Oil on canvas,
34 x 40 cm |
| 33910 |
 |
Fairy Dance in the Alder Grove |
mk87
c.1844
Oil on panel
62.8x84cm
Frankfurt am Main,Stadelsches Kunstinstitut
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| 21410 |
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Fairy Dance in the Alder Grove (mk09) |
c 1844
Oil on panel,62.8 x 84 cm
Frankfurt am Main,Stadelsches Kunstinstitut |
| 22801 |
 |
Fairy Dance in the Alder Grove (mk22) |
c 1844
Oil on wood panel,62.8 x 84 cm
Frankfutr am Main.Stadelsches Kunstinstitut und Stadtische Galerie |
| 43850 |
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Farewell at Dawn |
1859
Oil on cardboard,
36 x 24 cm |
| 40721 |
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Honeymoon |
mk156
1867
Oil on wood
52x41cm
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| 62455 |
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Landscape with Wanderer |
1835 Brown pen on yellowish paper, 428 x 271 mm Albertina, Vienna The landscapes of Schwind are poetic and fairytale-like creations. Below a mountain bridge with a view of a distant, hilly landscape a man can be seen sunk in contemplation; the back of the wanderer with a harp slung over his shoulder also has a nostalgic effect. Author: SCHWIND, Moritz von Title: Landscape with Wanderer Form: graphics , 1801-1850 , Austrian , landscape |
| 56246 |
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the morning hour |
mk247
1858,oil on canvas,13.375x15.75 in,34x40 cm,schack galerie,munich,germany |
| 38589 |
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The Rose,or The Artist-s Journey |
mk138
1846/47
Oil on canvas
216x134cm
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| Moritz von Schwind
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| Austrian Romantic Painter, 1804-1871
Austrian painter and illustrator. He studied at the Akademie der Bildende K?nste in Vienna (1821-3), where he was influenced by the Biedermeier genre painter Peter Krafft and the Nazarene painter Ludwig Ferdinand Schnorr von Carolsfeld. He made copies after the Old Masters at the Belvedere in Vienna, exploring especially D?rer, Albrecht Altdorfer, Raphael and Titian, which completed his early, largely autodidactic experience of art. His friendship with Franz Schubert, the poet and playwright Franz Grillparzer and the painters Ferdinand and Friedrich Olivier, as well as the cultural environment of Biedermeier Vienna in his years there between 1823 and 1828, shaped his spiritual development as a painter. His love of music inspired his later 'symphonic' compositions and flowing linear rhythms. Extensive reading of the work of Romantic writers such as Achim von Arnim, Clemens von Brentano, Ludwig Tieck, Friedrich Heinrich von Hagen and the brothers Jacob and Wilhelm Grimm helped prepare his mature pictorial themes of fairytales, legends and sagas. He was unsuccessful as a painter and eked out a meagre livelihood by drawing naturalistic genre scenes for engravers, while occasionally selling a painting. Walk before the City Gate
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